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While Republicans and Democrats were competing to see who could issue the most comprehensive denunciation of Hollywood depravity, they ignored an authentic and unprecedented phenomenon: the revolution in the availability of pornography. Porn has moved out of a few segregated public spaces, the seedy book shops and triple X theaters, and become ubiquitous on the web, on cable, in neighborhood video shops. Some consider this a good thing, since it promises to put the red light districts of our downtown areas out of business with mixed results, however; see, for example, the January 1 New York Times, "With John Wayne and Sushi, Sex Shops Survive a Cleanup". But Im not sure were going to be happy with the bargain in the long run. The more accessible the material, the larger the number of people who will be willing to consume it because they can do so discreetly. And heres where the consequences get worrisome: the larger and more scalable the market, the more it can supply material to dovetail with every individual quirk or taste. Given the way seems to act on those who are most susceptible to it, we may be surprised at the results. Trying to point this out believe me, I know is to invite scorn from liberal entertainment crusaders who accuse conservatives of being more afraid of than violence. I wrote a column in the Wall Street Journal on the subject during the presidential campaign, and the letters that came in response more often than not criticized me for muddying an important national debate over the "serious" problem of violence in the media by raising irrelevant objections about pornography. Yet these critics have it backwards, I fear. Nobody has heard of self help groups for people claiming to be "addicted" to innuendo on "Friends" or to violence in Arnold Schwarzenegger films.
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Even if only for that reason, Art school would be worth every penny. Artists are a rare kind. They seem to be able to create masterpieces without complicated theories and computations. Its as if they are moved by instinct to draw, paint, and create visually pleasing artworks. Some artists, when asked about their artwork, would simply shrug and say they didnt know what motivated them, and they just felt like painting it. Art school should not aim to correct this freewheeling style of artistry. It should, however, provide the basic techniques and theories on art and creativity. Instead of suppressing natural skill, it should develop and enlighten it by explaining the concepts behind art. Unlike what most people think, there truly is a science behind art. Artists sometimes just create art. But after Art College, they come to a realization of theories behind what they have done by instinct.
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In addition, familiarity with a service was found to be an important determinant, probably because it lowers transaction costs of getting to know the specifics of the sharing process Henning Thurau et al. , 2007. Furthermore, both studies reveal the important role of trust as an essential determinant of the satisfaction with a sharing option. This is an interesting result because trust has not been analyzed in relation to other determinants in the context of collaborative consumption in quantitative studies so far Mhlmann, 2015. Some differences are also present in the two studies, specifically, in study 1 B2C car sharing context car2go, two additional determinants with significant effects were identified: community belonging and service quality. While in study 2 C2C accommodation sharing context Airbnb, a relationship between the satisfaction with a sharing option and the variable likelihood of choosing a sharing option again was estimated. This relationship was not revealed in study 1. The main strength of this paper is that it is both academically and managerially relevant. Academically speaking, the results of this study contribute to close a research gap and hold valuable implications for researchers. Findings indicate that indeed there are many similarities among the determinants of the use of different collaborative consumption services. However, a detailed analysis might also reveal context or industry specifics, as shown in this paper.
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Previous decades saw the struggles of employees to have their rights recognised; now the struggle is one of workers to be recognised as employees at all. Once the focus was on the power of the owners of the means of production; now it is on the owners of the means to find work via the net. The new battleground is not over who controls the shop floor, but who controls the data involved. Who has it, and what it reveals. Melbourne cheers end of Australia's strictest lockdown. VideoMelbourne cheers end of Australia's strictest lockdown'Media created picture of my husband I don't recognise' Video'Media created picture of my husband I don't recognise''Growing enemies to French concept of secularism' Video'Growing enemies to French concept of secularism'Its success rivals even that of Facebook, but Uber remains a fairly mysterious company in a lot of ways. See if you knew these crazy facts about the app turned transportation giant:1. Uber was founded in San Francisco in 2009 by University of California dropout Travis Kalanick and Garrett Camp, also the founder of StumbleUpon. 2. Uber celebrated its fifth anniversary on June 1, 2015, with an announcement that it had grown into a transportation network spanning 311 cities in 58 countries. 3.
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" On Sesame Street, vacuity is at the heart of every tale. To be sure, researchers found early on in the show's planning that children were not likely to sit still for an adult reading, say, "Rapunzel" on the small screen. But they most certainly will sit still through dramatized or illustrated legends, fairy tales, and fables, as in a recent Barney segment, in which a girl of about nine read a story about an Eskimo child as the camera paused on each of the book's magnificent illustrations. After she finished, she took a minute to recall three of the more unfamiliar words in the story. The sequence offered an obvious way to expand a child's vocabulary, discipline his memory, nourish his sense of beauty, and enlarge his imagination. This approach or a puppet show or a Disney style animation could be used to retell traditional fairy tales and legends, from "Little Red Riding Hood" to "John Henry" to Odysseus. These stories have always stirred children's imaginations with their wolves, giants, heroes, andstorms at sea. They also help the child master primal emotions, as Bettelheim memorably argued, while nurturing higher order virtues like bravery, compassion, and loyalty. A child of three or four, after all, is not just a pleasure obsessed skill machine; he is a puzzled newcomer looking for meaning and order in a world he barely knows. Such a search is rendered meaningless on Sesame Street. Take its version of "Cinderella.